I have my own experience-based views on this subject. Kihon, Kaishu and Koryu kata have their place and importance in the vernacular of Bujutsu. Kihon-gata is all about understanding the Undo or movement of your Ryuha (system). Ken- striking the target with a proper waza, Ki- manifestation of spirit, Tai- maintaing proper posture and composure, Metsuke- eye contact, Kiaii – piercing the target with a yell, are just some of the skills this method may develop. Pinan, Heian, Gekisai, Fukyu are examples of Kihon-gata. A kata of self-improvement.
Second method studied should be the Kaishu-gata. It promotes the understanding of your given system (Goju-ryu, Shorin-ryu, Uechi-ryu, Shito-ryu, Shotokan-ryu, etc.). The attacks have not yet are gleamed from the catalogue of the style, and are responded in kind, at times with somewhat superficial, basic techniques, lacing real violent response. Bassai-dai, Saifa, Kanshiwa are examples of Kaishu-gata. A kata of face to face, controlled duel.
Then there is Koryu-gata. Beyond the venire of simple block, strike and unbalance, there is a complete arsenal of punching fingers, biting, spitting, tearing, sand throwing and so much more. Superinpei, Gojushi, Nipai and alike. A caveat should be noted, you may be practicing these forms, but not in their original, intended way. Anyways, Koryu kata is born of the battlefield or the pavement arena.
Shiai kata.
Kata, often rooted in traditional martial arts, have transformed significantly over the years. While many practitioners still honor the classic forms, today’s performance Shiai kata blend speed and artistry for purely esthetic delivery.
Modern kata showcases techniques delivered with an almost machine-gun flow, where timing takes a backseat to sheer speed. Yet, this is contrasted by moments of dramatic pauses and expressive head movements, turning each performance into a captivating visual experience. More Martha Graham, less Choki Motobu.
Interestingly, new ‘ancient’ (oxymoron time) kata forms, which didn’t exist just 40 years ago, are emerging, reflecting the evolving landscape of martial arts performance. Among these are the Dai and NiDai versions, specifically designed for competition. These contemporary adaptations not only cater to the thrill of competition but also resonate with the spirit of youthful vigor and the quest for medals.
One telling element, the Kiaii.
The Kiaii, often translated as “energy harmony” or “initiative,” is a vital component in martial arts. I call it ‘the cry that gives strength’. It serves as a vocal expression that can enhance focus and strength. In basic kata, it acts as a punctuation mark, while in completion, it adds drama. In real combat based forms, a well-timed Kiaii can not only signal danger to an opponent (are you sure you want to fight, I am ready) but it also pierces the mind of the opponent. It will disrupt their balance and potentially impair their motor functions.
Ultimately, the sincerity of our kata practice matters most. When we approach Budo/Bujutsu with diligence and an open heart, we cultivate not only skill but also a profound connection to our art. This commitment propels us forward, enriching our martial journey and deepening our understanding of ourselves. Each kata is a step on this path, guiding us to grow both physically and emotionally.
Gambarimasho ~ C.Borkowski